At New York City Center on Wednesday, October 17.
Mild disappointment is so disheartening. You don’t get to be angry or disgusted, no ranting, no nasty barbs, just the sheepish regret of having set expectations too high. I had been so excited about choreographer Christopher Wheeldon’s new company. His work is nearly always among my favorites on the New York City Ballet’s programs, and even when I’m not sure I like a piece, it fascinates me and lingers in my memory.
So the premiere of Morphoses was a letdown. There were lovely, charming moments, of course—Wheeldon’s pas de deux are intricately entwined, and he creates beautifully striking tableaus with his ensembles—but nothing on the program seized me. Nothing left me breathless. Nothing (ahem) made me eager to write.