In theaters.
The story of My Kid Could Paint That shifts several times over the course of the documentary. Initially, it’s about what it means to be a prodigy. Later it evolves into a discussion of how we experience and assess modern art. But ultimately, it becomes a meditation on the twenty-four-hour media machine’s use and abuse of “human interest” subjects, the ethics of turning an individual’s life into a bite-sized narrative, and the responsibilities that journalists do and do not have toward the private people they cover. That’s a lot to pack into barely eighty minutes of footage—I wish that documentarian Amir Bar-Lev have delved deeper—but despite the film’s shortcomings, it prompted a great deal of thoughtful, provocative, heartfelt discussion in my home, and honestly, what more can you ask of a documentary?
Much Review About Nothing 