Julius Caesar

The Royal Shakespeare Company at the Park Avenue Armory on Sunday, August 7, as part of the Lincoln Center Festival.

All the best parts of Julius Caesar happen before intermission, which generally falls after Mark Antony's rabble-rousing public address. The conspiracy, the assassination, the dueling eulogies—that's all over and done with, leaving only the frenzied descriptions of off-stage battles and the inevitable suicides. It is, I suppose, a tribute to director Lucy Bailey that the Royal Shakespeare Company's production of the play retains some energy through what sometimes feels like a very extended denouement. I can never muster much sympathy for Brutus, but this time I at least felt some of the drama.