True satire spares no one, and In the Loop is as true as it comes: mercilessly sharp, brutally unsentimental, and absolutely hilarious. The movie targets (albeit with fictional characters) the transatlantic political machinations that lead to the invasion of Iraq, but it never actually names that country or makes any more than the vaguest references to the Middle East. For all the high stakes we know to be there, most of the characters are too wrapped up in bureaucratic infighting to pay them much heed. That breathtakingly cynical vision of an already dark chapter in the history of both the United Kingdom and the United States leaves me with mixed feelings. Despite the precision and brilliance of its barbs, In the Loop doesn’t always ring true to me, and I can’t figure out whether that’s because I’m too cynical, not cynical enough, or simply cynical in a different way.