At New York City Center on Sunday, October 12.
I went to see the San Francisco Ballet because I wanted to diverge from the Balanchine-heavy repertory of the New York City Ballet, but perhaps inevitably, my favorite element of San Francisco’s program was Balanchine’s classic “The Four Temperaments.” What’s more, San Francisco felt somehow softer and less crisp than New York. I enjoyed the program—the dancing was lovely—but I think the New York City Ballet has brainwashed me more than I realized.
Much Review About Nothing 