In repertory at Film Forum through April 27. Also on DVD.
I always felt sorry for Abimelech, the king in the book of Genesis who takes Abraham’s wife, Sarah, into his harem. He doesn’t realize he’s doing anything wrong because Abraham and Sarah both insist they are brother and sister before Abimelech even shows any interest in her. But God still curses him, making all the women in his household barren until the poor guy realizes he’s been fooled.
Judging from Days of Heaven, I think writer-director Terrence Malick might share my sympathy for Abimelech. The beautiful film, released in 1978, echoes that biblical story in its tale of two Depression-era laborers and the owner of a farm where they find work during the harvest. Days of Heaven easily could have been a heavy handed metaphor of class war — I admit I expected something like that: the bourgeois screwing the proletariat literally and figuratively — but Malick’s work, as I should have realized, is far more nuanced than that.